![]() ![]() Jinho proves to have the vocal stylings of a chipmunk that inhaled helium and hits the notes, while Shinwon delivers the absolute comedy of the first chorus lines that make all these covers so iconic. The best of both worlds, in this performance. And YoungK actually hits the notes not-too-horribly while also maintaining the absurdity of what he's trying to sing. He makes up for it by being painfully dramatic in the chorus, though. Jae switches the notes to preserve his vocal chords and to spare our eardrums, which is against the purpose of covering the song. ![]() However, the assignment was not fully understood. Leave it to DAY6 to deliver the insane energy of this song. Also, I seriously recommend watching all of these, because the vast majority of them will give you abs from laughing so hard. And if I forgot your fave, feel free to clown their rendition too. This post is a joke and not a serious vocal ranking. Since I just (belatedly) found out that my ult did one too, I've decided to rank 9 covers of She's Gone that I could remember and find clips for. Over the course of many years, I've come across all sorts of renditions of this song. I actually think Milijenko was using very strong pharyngeal resonance to disguise as a heavy mix.Pretend there's also a shitpost flair on this post.Īny well-versed K-Pop fan is aware that She's Gone is a prime way idols love to create memes and shred their vocal chords in the process. Yeah, its really hard to get any noticeable chest mix up there without blowing out my voice really really fast. They might as well put it there to give us at least a little guidance. We're gonna try to sing distortion one way or the other, and no well-meaning vocal coach can stop us by taking it out of their programs. But I can't help but to think a lot of vocal coaches refuse to include distortion in their programs because either they want to keep it as a secret for personal lessons, or that they don't know how to teach it.īut as someone who wants to do rock singing, singing powerful distortion is sort of the final goal. He seems like a really nice guy, and it could be a sincere concern of his. I remember him answering this along the lines of not wanting people to rush into it and get hurt. Stage 3 has "Glottal Compression", but not Hyper glottal compression, which is what he calls distortion. I would buy Ken's program in a heartbeat but it's very pricey and it doesn't include distortion techniques.ĭoesn't Ken's new program have ANY info on distortion, not even in stage 3? I believe its a sign that I definitely should leave SS for a Rock oriented vocal program. I never new the wide open vowel that SS has taught me to fear would be my new bestfriend. Just today I was working with the AH vowel from Ken Tamplin's free vids on youtube and I experienced a great improvement in tone and power. I had to experiment and move away from some of their teachings and push my voice a little harder than they would like me to, just to get more volume. To give SLS and Brett Manning due credit, they did help me discover my mix and expand my range nearly an octave in a month after discovering how to produce a clear head voice. When I breath in, my waist expands in all directions including my back, I personally think my problem was mostly about my throat. I don't know how support plays into my case, but i do think my breathing should be decent. What I'm used to hearing about my mid-high range is that my sound is muffled or choked. ![]() ![]() I'm a little confused about the support issue. A song like don't wanna miss a thing, or its my life would be better for a comprehensive display of where my voice is at. But I totally agree that this song is out of my league at the moment. I choose this song because it represents my taste in music and the heights I wish to reach with my voice. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |